Frederick Arthur Bridgman is one of the most popular Orientalist painters. He created a canvas that carries the viewer in the time of Ancient Egypt. What secrets of the Egyptian tradition are illuminated by his painting, The Procession of the Sacred Bull of Anubis?
Frederick Arthur Bridgman is known for his paintings on the theme of the East. At the age of five, he stated that he decided to become an artist, and at sixteen he dropped out of school and began his career as an engraver at the American Banknote Company. However, this work soon bored Arthur, and in 1866 he went to Paris to study with the artist and sculptor Jean — Leon Gerome at the School of Fine Arts. In 1873 he went to North Africa.
In Africa, Bridgman worked for five years, creating hundreds of sketches and collecting artifacts and costumes. Bridgman painted the East and Africa magnificent, mysterious, luxurious and, most importantly, realistic. His images of exotic people and cultures fascinated Americans and Europeans throughout the 1880s. Subsequently, Bridgman created many more oriental paintings from memory, Continue reading
Monumental painting – painting on architectural structures and other stationary foundations. The main technique of monumental painting is a mural, which, together with mosaics and stained glass, is more often called monumental and applied art.
The tradition of painting walls and ceilings dates back to time immemorial. Traces of culture to decorate your home with objects of art reach us since the time of the Paleolithic. Often they had sacred and ritual meaning. Numerous cave paintings have survived to this day and have been sources of inspiration for artists for many subsequent centuries.
Studying the history of ancient cultures, we everywhere meet with monuments of monumental painting. They not only give us artistic pleasure, but Continue reading
What fundamentally different modern approach to home design from previous periods? A resident of a modern metropolis pays great attention to the functionality of his home, of course, seeks to make it attractive and harmonious. Nevertheless, the main difference of our time is a clear division into useful and demon, functional and decorative, necessary and not so.
A wealthy Renaissance homeowner could hardly have imagined such a fractional picture. In his understanding, the ideal home was to harmoniously combine architecture, functionality and decor. Works of art were an integral part of the equation, testifying not only to the individuality of their owner, but also about his position in society, the size of his condition, the diversity of interests and the presence or absence of taste. Behind all this was a person’s desire to turn his life into art, to give it the greatest Continue reading