Frederick Arthur Bridgman is one of the most popular Orientalist painters. He created a canvas that carries the viewer in the time of Ancient Egypt. What secrets of the Egyptian tradition are illuminated by his painting, The Procession of the Sacred Bull of Anubis?
Frederick Arthur Bridgman is known for his paintings on the theme of the East. At the age of five, he stated that he decided to become an artist, and at sixteen he dropped out of school and began his career as an engraver at the American Banknote Company. However, this work soon bored Arthur, and in 1866 he went to Paris to study with the artist and sculptor Jean — Leon Gerome at the School of Fine Arts. In 1873 he went to North Africa.
In Africa, Bridgman worked for five years, creating hundreds of sketches and collecting artifacts and costumes. Bridgman painted the East and Africa magnificent, mysterious, luxurious and, most importantly, realistic. His images of exotic people and cultures fascinated Americans and Europeans throughout the 1880s. Subsequently, Bridgman created many more oriental paintings from memory, Continue reading
Monumental painting – painting on architectural structures and other stationary foundations. The main technique of monumental painting is a mural, which, together with mosaics and stained glass, is more often called monumental and applied art.
The tradition of painting walls and ceilings dates back to time immemorial. Traces of culture to decorate your home with objects of art reach us since the time of the Paleolithic. Often they had sacred and ritual meaning. Numerous cave paintings have survived to this day and have been sources of inspiration for artists for many subsequent centuries.
Studying the history of ancient cultures, we everywhere meet with monuments of monumental painting. They not only give us artistic pleasure, but Continue reading
A developed art market appears in the XVII century. in Holland, which was the first in Europe to become a bourgeois republic. It is there that relations between the artist and the customer develop. The state and the church cease to be the main customers, and private buyers arise, which means the art and antiques market. After all, before that, the church was the main customer of art objects for artists – in Italy, Germany, England. As such, secular art before the Renaissance did not exist in Europe.
In the XVIII century. Antique trade appears in almost all countries, including Russia. The antique market of St. Petersburg and even partly Moscow in the 18th century already exists actively. Visitors and local antiquaries are active. In Europe at this time, the two main centers of antique trade remain Paris and Rome. Continue reading