Emil Galle’s career
At the beginning of the 16th century, Rafael Santi created the painting “The Lady with the Unicorn”, which was included in the “golden fund” of High Renaissance painting. It is unlikely that the artist could have imagined that through the centuries his canvas will be changed beyond recognition, and art critics will argue about why the image was changed?
Rafael Santi (1483-1520) – is included in the galaxy of the best Renaissance artists along with Leonardo and Michelangelo. He differs from his colleagues in his youthful years (he created a large number of masterpieces as a young man) and the most outstanding portraits in history. His name became legendary during his lifetime, and his art is a clear embodiment of harmony, balance and clarity of style. As a true Continue reading
Emil Galle (1846 – 1904) became the main figure for glassmaking of the Art Nouveau era. His work refracted the traditions of European and Eastern art, giving rise to a completely new style that combined deep symbolism, close attention to nature, an infinite variety of techniques, amazing freedom and sophistication of form. Emil Galle was born in Nancy, a small city in Lorraine, in the family of an entrepreneur who was engaged in the trade and production of glass and earthenware. Emil Galle’s career began with work at a family business. He later collaborated with the Burgun, Schwerer & Co. factory in Meisenthal. Already in 1867, Halle created an art studio, and in 1894 he headed his glass production in Nancy. If in the early period of his work Halle created mainly sketches of dishes from transparent colorless material with engraving or painting, then in his studio he begins a series of technological experiments. As a result, many new techniques were invented and patented, old technologies were revived, and an unprecedentedly diverse palette of shades of colored glass was created. In 1882, Emil Galle began the production of laminated glass material, which became one of the symbols of Art Nouveau. The most important subject of multilayer decor was engraving, which could be carried out mechanically (wheel engraving) or chemical (etching). The pinnacle of Halle’s work was cameo glass, a laminated glass onto which the Continue reading