About a trip to the exhibition of May Volfovich Danzig, held at the National Museum of Belarus in Minsk in the fall of 2015 and dedicated to the 85th anniversary of the Master.
We planned a trip to the anniversary exhibition of the national artist of Belarus May Volfovich Danzig at the National Art Museum of the Republic of Belarus from the very moment we learned that it will be held in the fall of 2015. I really wanted to get to the Opening of the exhibition on October 15, but our own exhibition in Moscow did not allow this to be done. However, this turned out to be for the better. Firstly, we came to the museum on a rainy weekday exactly 10 minutes after its opening, and although there was already a small queue at the box office, there Continue reading
What fundamentally different modern approach to home design from previous periods? A resident of a modern metropolis pays great attention to the functionality of his home, of course, seeks to make it attractive and harmonious. Nevertheless, the main difference of our time is a clear division into useful and demon, functional and decorative, necessary and not so.
A wealthy Renaissance homeowner could hardly have imagined such a fractional picture. In his understanding, the ideal home was to harmoniously combine architecture, functionality and decor. Works of art were an integral part of the equation, testifying not only to the individuality of their owner, but also about his position in society, the size of his condition, the diversity of interests and the presence or absence of taste. Behind all this was a person’s desire to turn his life into art, to give it the greatest Continue reading
Emil Galle (1846 – 1904) became the main figure for glassmaking of the Art Nouveau era. His work refracted the traditions of European and Eastern art, giving rise to a completely new style that combined deep symbolism, close attention to nature, an infinite variety of techniques, amazing freedom and sophistication of form. Emil Galle was born in Nancy, a small city in Lorraine, in the family of an entrepreneur who was engaged in the trade and production of glass and earthenware. Emil Galle’s career began with work at a family business. He later collaborated with the Burgun, Schwerer & Co. factory in Meisenthal. Already in 1867, Halle created an art studio, and in 1894 he headed his glass production in Nancy. If in the early period of his work Halle created mainly sketches of dishes from transparent colorless material with engraving or painting, then in his studio he begins a series of technological experiments. As a result, many new techniques were invented and patented, old technologies were revived, and an unprecedentedly diverse palette of shades of colored glass was created. In 1882, Emil Galle began the production of laminated glass material, which became one of the symbols of Art Nouveau. The most important subject of multilayer decor was engraving, which could be carried out mechanically (wheel engraving) or chemical (etching). The pinnacle of Halle’s work was cameo glass, a laminated glass onto which the Continue reading