Tintoretto is included in the galaxy of the best masters of the late Renaissance along with Veronese and Titian. His colleagues are distinguished by the highest speed of work, as well as sparkling and spiritual talent. Why did Venice artists not like him, and what is the implication of Paradise, the largest oil painting in the world?
Tintoretto biography and creativity
The Tintoretto family (his real name is Jacopo Robusti) came from Lombardy. Father, Giovanni, was a dye (tintore), and his son was nicknamed Tintoretto – “little dyer.” Jacopo was born and worked in Venice, which at that time was a storehouse of talents. The favorable geographical position (Venice Continue reading
At the beginning of the 16th century, Rafael Santi created the painting “The Lady with the Unicorn”, which was included in the “golden fund” of High Renaissance painting. It is unlikely that the artist could have imagined that through the centuries his canvas will be changed beyond recognition, and art critics will argue about why the image was changed?
Rafael Santi (1483-1520) – is included in the galaxy of the best Renaissance artists along with Leonardo and Michelangelo. He differs from his colleagues in his youthful years (he created a large number of masterpieces as a young man) and the most outstanding portraits in history. His name became legendary during his lifetime, and his art is a clear embodiment of harmony, balance and clarity of style. As a true Continue reading
Types of breakthroughs in size and shape are very different. Round shapes are rare, most often in the direction of the threads of the canvas. Breakthroughs are straight, angular, steps or zigzag.
Most often, breakouts are formed at thin canvases, thick ones are torn less often, but then it is more difficult to restore them. Before bursting a strong, dense canvas resists more strongly, at first it stretches to the limit and then breaks. Therefore, around the through gap, curvatures, bulges or concavities of the canvas are formed that affect the soil and the paint layer. Thin canvases usually tear more easily, with less deformation of the edges of the breakthrough and therefore it is easier to restore.
Due to the action of the canvas tension force, over time the edges of the breakthrough bend and do not converge. To restore such a breakthrough is Continue reading